‘Fake’ Botticelli painting is from artist’s studio, English Heritage says

Madonna Of The PomegranateImage copyright
English Heritage

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Conservators stripped off dirt and yellow varnish to reveal the painting’s true colours

Experts cleaning a supposed imitation of a Botticelli painting have discovered it was actually created in the Renaissance master’s own studio.

The work had been thought to be a later copy of the Madonna of the Pomegranate, painted by Sandro Botticelli in 1487.

But English Heritage conservators changed their minds after scraping thick yellow varnish off the painting.

Extensive tests showed it did in fact originate from Botticelli’s 15th Century workshop in Florence.

English Heritage said it consulted experts at the Victoria Albert Museum and the National Gallery to confirm the painting’s origins.

Image copyright
English Heritage

Image caption

The painting during restoration work

Rachel Turnbull, English Heritage’s senior collections conservator, said: “Stylistically it was too similar to be an imitation, it was of the right period, it was technically correct and it was painted on poplar, a material commonly used at the time.

“After removing the yellowing varnish, X-ray and infrared examination revealed under-drawing, including changes to the final composition uncommon in straight imitations.”

The painting had been assumed to be a later copy by an unknown artist because it varied in detail to the larger original, which is on display at the Uffizi Gallery in Florence.

Image copyright
English Heritage

Image caption

Though smaller than the original, the painting is still very detailed, with gold leaf in Mary’s halo and the wings of the angels at her side

“Botticelli, like other contemporary Florentine painters, had an active studio which issued versions and adaptations, presumably at lower prices, of works that were popular,” according to Professor Paul Joannides, Emeritus Professor of Art History at the University of Cambridge.

“It is only relatively recently, with more highly developed methods of technical examination, that the status of such pictures can be – at least to an extent – determined.”

The picture at English Heritage’s Ranger’s House in Greenwich, London, is now thought to be the closest version of Botticelli’s 1487 masterpiece, which shows a melancholy Virgin Mary holding a baby Christ and a pomegranate, flanked by angels.

It was bought by diamond magnate Julius Wernher in 1897 and kept with his art collection at the Georgian villa in Greenwich.

Madonna of the Pomegranate will be on display at Ranger’s House from 1 April.

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